2019 Spring GERMAN 186 001 LEC 001

Spring 2019

GERMAN 186 001 - LEC 001

Transnational Cinemas

Transnational Cinemas: Situating Spectatorship in the Digital Era

Deniz Gokturk

Jan 22, 2019 - May 10, 2019
Mo, We
02:00 pm - 03:29 pm
Class #:30007
Units: 4

Offered through German

Current Enrollment

Total Open Seats: 0
Enrolled:
Waitlisted:
Capacity:
Waitlist Max:
No Reserved Seats

Hours & Workload

3 hours of instructor presentation of course materials per week, 8 hours of outside work hours per week, and 1 hours of instructional experiences requiring special laboratory equipment and facilities per week.

Final Exam

TUE, MAY 14TH
11:30 am - 02:30 pm
Dwinelle 188

Other classes by Deniz Gokturk

Course Catalog Description

This course will explore how experiences of migration, dislocation, or exile are visualized in cinema, and how processes of internationalization in film production and distribution intersect with the projection of a transnational global imagery. Some examples of transnational cinematic connections will be analyzed in historical perspective as well as contemporary examples of "migrant cinema." We will investigate how these films engage with debates about multiculturalism and assimilation/segregation of minorities, as scenarios of itinerancy and mobility are often intertwined with representations of ethnicity and gender.

Class Description

This course explores possibilities and pitfalls of empathy in cinema and other audiovisual media. Focusing on cinematic framings of migration and visualizations of global connection, it analyzes how movement, borders, and settlement figure in different genres and formats. Case studies based on weekly screenings, mostly of contemporary productions form German and European cinema, range from ethnographic documentary to globetrotting adventure films, from diasporic cinema to the international avantgarde, from fringe productions to mainstream popular cinema as well as new forms of presentation such as video installations and online video streaming. Scrutinizing labels such as “national cinema,” “transnational cinema,” “interzone,” “European cinema,” “foreign film,” or “world cinema,” students acquire a vocabulary of analysis that enables them to read cinematic geography in correspondence with the formation of social space and practice. Language contact and translation constitute a crucial aspect in unpacking cross-border collaborations and interactions. Raising questions about location, circulation, and audience, the course combines film analysis and theoretical readings with an element of research and fieldwork that enables students to report on material of their own choice such as a film festival, digital platform, or audience experience. Readings and Discussion in "English".

Rules & Requirements

Repeat Rules

Course is not repeatable for credit.

Requirements class fulfills

Meets Arts & Literature, L&S Breadth

Reserved Seats

Current Enrollment

No Reserved Seats

Textbooks & Materials

Associated Sections