Spring 2019
GERMAN 186 001 - LEC 001
Transnational Cinemas
Transnational Cinemas: Situating Spectatorship in the Digital Era
Current Enrollment
Total Open Seats:
0
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No Reserved Seats
Hours & Workload
3 hours of instructor presentation of course materials per week, 8 hours of outside work hours per week, and 1 hours of instructional experiences requiring special laboratory equipment and facilities per week.
Final Exam
TUE, MAY 14TH
11:30 am - 02:30 pm
Dwinelle 188
Other classes by Deniz Gokturk
Course Catalog Description
This course will explore how experiences of migration, dislocation, or exile are visualized in cinema, and how processes of internationalization in film production and distribution intersect with the projection of a transnational global imagery. Some examples of transnational cinematic connections will be analyzed in historical perspective as well as contemporary examples of "migrant cinema." We will investigate how these films engage with debates about multiculturalism and assimilation/segregation of minorities, as scenarios of itinerancy and mobility are often intertwined with representations of ethnicity and gender.
Class Description
This course explores possibilities and pitfalls of empathy in cinema and other audiovisual media. Focusing on cinematic framings of migration and visualizations of global connection, it analyzes how movement, borders, and settlement figure in different genres and formats. Case studies based on weekly screenings, mostly of contemporary productions form German and European cinema, range from ethnographic documentary to globetrotting adventure films, from diasporic cinema to the international avantgarde, from fringe productions to mainstream popular cinema as well as new forms of presentation such as video installations and online video streaming. Scrutinizing labels such as “national cinema,” “transnational cinema,” “interzone,” “European cinema,” “foreign film,” or “world cinema,” students acquire a vocabulary of analysis that enables them to read cinematic geography in correspondence with the formation of social space and practice. Language contact and translation constitute a crucial aspect in unpacking cross-border collaborations and interactions. Raising questions about location, circulation, and audience, the course combines film analysis and theoretical readings with an element of research and fieldwork that enables students to report on material of their own choice such as a film festival, digital platform, or audience experience.
Readings and Discussion in "English".
Rules & Requirements
Repeat Rules
Course is not repeatable for credit.
Requirements class fulfills
Meets Arts & Literature, L&S Breadth
Reserved Seats
Current Enrollment
No Reserved Seats