2023 Fall
ENGLISH 174 001 - LEC 001
Literature and History
The Seventies
Scott Andrew Saul
Aug 23, 2023 - Dec 08, 2023
Tu, Th
09:30 am - 10:59 am
Social Sciences Building 60
Class #:26003
Units: 4
Instruction Mode:
In-Person Instruction
Offered through
English
Current Enrollment
Total Open Seats:
0
Enrolled: 65
Waitlisted: 0
Capacity: 65
Waitlist Max: 20
No Reserved Seats
Hours & Workload
9 hours of outside work hours per week, and 3 hours of instructor presentation of course materials per week.
Final Exam
TUE, DECEMBER 12TH
03:00 pm - 06:00 pm
Other classes by Scott Andrew Saul
Course Catalog Description
Topics will vary from semester to semester.
Class Description
As one writer quipped, it was the worst of times, it was the worst of times. “The Seventies” routinely come in for mockery as an era of bad taste — an era when enormous sideburns, leisure suits, extra-wide bell bottoms, pet rocks, and “diet” mackerel pudding made sense to all too many Americans. Even at the time, the 1970s were known as the decade when “it seemed like nothing happened.”
Yet we can see now that the ’70s was a time of great cultural renaissance and political ferment. It gave us the New Hollywood of Scorcese, Coppola and others; the “New Journalism” of Michael Herr, Joan Didion, and others; the music of funk, disco, punk and New Wave; the postmodern comedy of Saturday Night Live and the postmodern drama of Off-Off-Broadway; and a great range of literary fiction written by women authors from Ursula LeGuin and Margaret Atwood to Toni Morrison and Maxine Hong Kingston.
Rather than simply being a transitional period between the “liberal” 1960s and “conservative” 1980s, the '70s were in fact a period of intense political realignment, with the United States roiled by the oil crisis, the fall of Nixon and the fall of Saigon; by the advent of women’s liberation, gay liberation, and environmentalism as mass grassroots movements; and by the rise of the Sunbelt and the dawning of the conservative revolution. One might even say that the ’70s were the most interesting decade of the post-WWII era — the period when the freedom dreams of the ‘60s were most intensely fulfilled even as a resurgent conservative movement challenged their underlying vision.
Lastly, the ’70s may be the decade closest to our own contemporary moment. We will consider how the roots of our current predicament lie in the earlier decade — with its backlash against movements for racial justice and gender equality, its gun culture, its corruption of the political process, its suspicion of the state, its transition to a postindustrial economy, its widening inequality, its fetish for self-fulfillment, and its fascination with the appeal of instant celebrity. We will, in turn, reflect on how Americans in the ’70s struggled with many of the dilemmas that we face now.
Class Notes
Required books:
Michael Herr, Dispatches (1977)
Maxine Hong Kingston, The Woman Warrior (1975)
Ursula K. LeGuin, The Dispossessed (1974)
Toni Morrison, Song of Solomon (1977)
Required viewing:
Medium Cool (dir. Haskell Wexler, 1969)
Taxi Driver (dir... show more
Michael Herr, Dispatches (1977)
Maxine Hong Kingston, The Woman Warrior (1975)
Ursula K. LeGuin, The Dispossessed (1974)
Toni Morrison, Song of Solomon (1977)
Required viewing:
Medium Cool (dir. Haskell Wexler, 1969)
Taxi Driver (dir... show more
Required books:
Michael Herr, Dispatches (1977)
Maxine Hong Kingston, The Woman Warrior (1975)
Ursula K. LeGuin, The Dispossessed (1974)
Toni Morrison, Song of Solomon (1977)
Required viewing:
Medium Cool (dir. Haskell Wexler, 1969)
Taxi Driver (dir. Martin Scorcese, 1976)
Network (dir. Sidney Lumet, 1976)
Saturday Night Fever (dir. John Badham, 1977) show less
Michael Herr, Dispatches (1977)
Maxine Hong Kingston, The Woman Warrior (1975)
Ursula K. LeGuin, The Dispossessed (1974)
Toni Morrison, Song of Solomon (1977)
Required viewing:
Medium Cool (dir. Haskell Wexler, 1969)
Taxi Driver (dir. Martin Scorcese, 1976)
Network (dir. Sidney Lumet, 1976)
Saturday Night Fever (dir. John Badham, 1977) show less
Rules & Requirements
Repeat Rules
Requirements class fulfills
Meets Arts & Literature, L&S Breadth
Reserved Seats
Current Enrollment
No Reserved Seats
Textbooks & Materials
See class syllabus or https://calstudentstore.berkeley.edu/textbooks for the most current information.
Guide to Open, Free, & Affordable Course Materials
Associated Sections
None