An introductory level exploration of a specific author, work, theme or literary movement in an international context. Emphasis on the ways in which literature has played (and continues to play) a crucial role in the relationship between different cultures, traditions, and languages. Readings and topics to vary from semester to semester.

In this course, we will analyze and compare a series of plays, novels, and films titled after objects: Plautus’s Pot of Gold and Rope, Goldoni’s The Fan, Oscar Wilde’s Lady Windermere’s Fan, Henry James' The Golden Bowl, Tennessee Williams’ The Glass Menagerie (1944), Alfred Hitchcock’s Rope (1948), Yukio Mishima’s The Magic Pillow (1950), Eugene Ionesco’s Les chaises (1952), Jean Genet’s The Screens (1962) Melvonna Ballenger’s Rain (1978), and Raul Castillo’s Knives and Other Sharp Objects (2009). What is the relationship between language and objects? How does literature become material? How does a title orient and condition the reception of a dramatic text as an object? How do objects, in their materiality, replicate formal features of plays and films (linguistic and visual textures, the shapes of plots)? How are they implicated in the making and unmaking of race and gender (dis)identifications? After considering some theoretical works on materiality and literature, we will use the reading of dramatic texts and films to interrogate the precarious dichotomies of subject and object, self and other, materiality and immateriality. We will also look for ways for bridging the gap between the so-called linguistic and material turns, which have shaped (and divided) the humanities in the past four decades.

Repeat Rules

Requirements class fulfills