Concentration on specific problems in art history as a transcultural inquiry, across multiple or varying cultural contexts. Assigned readings, discussion, and a substantial paper. For specific topics and enrollment, see listings on arthistory.berkely.edu.

What happens when we understand art as an active producer of theory, rather than as an object to which theory might be “applied?” This seminar proposes that recent art has catalyzed and shaped advanced feminist and queer thought, and asks how visual art practices have been engines of theoretical propositions about the entanglements of genders, sexualities, racialization, desire, state power, archives, migration, utopias/dystopias, loss, anger, visibility/opacity, world-making, etc. We will focus our speculations around a series of case studies from around the world to think about how insistently intersectional feminist, trans, and queer knowledge is embodied, generated, and performed within works, acts, and objects themselves. Modeling more horizontal methods of learning in alignment with queer feminist pedagogies, students will participate in building our reading list and will collaboratively lead discussions. Artists/artist’s groups might include Asco, Sadie Barnette, fierce pussy, Jeffrey Gibson, Félix González-Torres, Glenn Ligon, Candice Lin, Julie Mehretu, Yasumasa Morimura, Zanele Muholi, Senga Nengudi, Hélio Oiticica, Cecilia Vicuña, and Martin Wong. Participants must be juniors or seniors. This course fulfills the following Major requirements: Geographical area (E) and Chronological period (III).

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