Spring 2022
AFRICAM 165 001 - LEC 001
African American Poetry: Eyes on the Prize
Chiyuma Elliott
Jan 18, 2022 - May 06, 2022
Mo, We
10:00 am - 11:59 am
Social Sciences Building 166
Class #:30781
Units: 4
Instruction Mode:
In-Person Instruction
Offered through
African American Studies
Current Enrollment
Total Open Seats:
4
Enrolled: 31
Waitlisted: 0
Capacity: 35
Waitlist Max: 5
No Reserved Seats
Hours & Workload
4 hours of instructor presentation of course materials per week, and 8 hours of outside work hours per week.
Final Exam
TUE, MAY 10TH
03:00 pm - 06:00 pm
Other classes by Chiyuma Elliott
Course Catalog Description
In this course, we will read books by acclaimed African American poets who have won Pulitzer Prizes, National Book Awards, and commendations from the Library of Congress. We will also examine book reviews, articles, and interviews that illuminate popular and critical responses to these authors and their work. The course is designed to teach students how different poems function—through close reading, and careful attention to poems’ formal properties. Hard work is required; love of the genre and confidence in one’s ability to understand it is not (as the former U.S. Poet Laureate, Natasha Trethewey, admitted recently in an interview “growing up, I didn't think I could understand poetry, I didn't think that it had any relevance to my life”).
Class Notes
In this course, we will read books by acclaimed African American poets who have won Pulitzer Prizes, National Book Awards, and commendations from the Library of Congress. We will also examine book reviews, articles, and interviews that illuminate popular and critical responses to these authors and ..
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In this course, we will read books by acclaimed African American poets who have won Pulitzer Prizes, National Book Awards, and commendations from the Library of Congress. We will also examine book reviews, articles, and interviews that illuminate popular and critical responses to these authors and their work. The course is designed to teach students how different poems function—through close reading, and careful attention to poems’ formal properties. Hard work is required; love of the genre and confidence in one’s ability to understand it is not (as the former U.S. Poet Laureate, Natasha Trethewey, admitted in an interview, “growing up, I didn't think I could understand poetry, I didn't think that it had any relevance to my life”).
This semester, weekly podcasts will take the place of traditional lectures; class time will be devoted to discussion, creative writing exercises, and sharing and critiquing students’ poems and papers. The podcasts will explore how poems of different types work; some major concerns that have animated African American poetry since 1950; how syllabus authors develop ideas, motifs, and themes; and how these authors’ diverse work has been received over time. In addition to reading a broad selection of writers’ work in the Course Reader, and viewing/listening to recordings of their online poetry readings and craft talks, we will also have three focused “Bookshop” weeks during which we workshop one book and pay close attention to individual poems and the ways they fit together.
Objectives
1. To gain a basic factual knowledge of major 20th and 21st century African American poets, their work, and their critical and popular reception.
2. To learn how to do close readings of poems.
3. To develop the critical skills to identify and compare literary themes, styles, and strategies employed by this group of writers.
4. To learn about poetic form and meaning through academic and creative writing.
5. To experiment and grow as writers in ways that help us each articulate our hopes and meet meaningful personal and professional goals. show less
This semester, weekly podcasts will take the place of traditional lectures; class time will be devoted to discussion, creative writing exercises, and sharing and critiquing students’ poems and papers. The podcasts will explore how poems of different types work; some major concerns that have animated African American poetry since 1950; how syllabus authors develop ideas, motifs, and themes; and how these authors’ diverse work has been received over time. In addition to reading a broad selection of writers’ work in the Course Reader, and viewing/listening to recordings of their online poetry readings and craft talks, we will also have three focused “Bookshop” weeks during which we workshop one book and pay close attention to individual poems and the ways they fit together.
Objectives
1. To gain a basic factual knowledge of major 20th and 21st century African American poets, their work, and their critical and popular reception.
2. To learn how to do close readings of poems.
3. To develop the critical skills to identify and compare literary themes, styles, and strategies employed by this group of writers.
4. To learn about poetic form and meaning through academic and creative writing.
5. To experiment and grow as writers in ways that help us each articulate our hopes and meet meaningful personal and professional goals. show less
Rules & Requirements
Repeat Rules
Course is not repeatable for credit.
Reserved Seats
Current Enrollment
No Reserved Seats
Textbooks & Materials
See class syllabus or https://calstudentstore.berkeley.edu/textbooks for the most current information.
Guide to Open, Free, & Affordable Course Materials
Associated Sections
None