Spring 2025
ENGLISH 166 001 - LEC 001
Special Topics
Writing Robots
Margaret Kolb
Class #:24322
Units: 4
Instruction Mode:
In-Person Instruction
Offered through
English
Current Enrollment
Total Open Seats:
-1
Enrolled: 9
Waitlisted: 0
Capacity: 8
Waitlist Max: 4
No Reserved Seats
Hours & Workload
2 to 3 hours of instructor presentation of course materials per week, 9 hours of outside work hours per week, and 1 to 0 hours of the exchange of opinions or questions on course material per week.
Final Exam
THU, MAY 15TH
08:00 am - 11:00 am
Mulford 240
Other classes by Margaret Kolb
Course Catalog Description
Immersive study of an author, genre, form, or literary historical issue. Topics vary from term to term.
Class Description
Recent breakthroughs in AI have put how we write—and how we conceptualize writing—into flux. This writing-intensive seminar surveys and analyzes accounts of AI-generated writing, while reflecting on the ramifications of AI for human writing practices. In other words: how do we write about—as well as with—writing machines? How are emergent AI writing technologies reshaping human writing cultures in STEM fields and beyond? How, in turn, do accounts of and interactions with writing machines shape cultural conceptions of human writers and thinkers, as well as technological frontiers for AI developers? What does it mean to write for someone else, or to let someone or something else write for us?
To address these questions, we will analyze a broad range of texts, including chat transcripts, essays, and journal articles, alongside novels, plays, and podcasts. Students will track and research a sub-topic of their choosing through a cumulative series of summaries, essays, and opinion pieces, while chronicling their developing writerly identities by reflecting on readings and assignments in a course journal. At semester’s end, they will revise and present a writing portfolio reflecting their strongest work.
Class Notes
Book list:
Richard Powers, Galatea 2.2; Ted Chiang, Exhalation; Edmond Rostand, Cyrano de Bergerac; course reader with selections from the work of Roland Barthes, Marshall McLuhan, Wendy Chun, N. Katherine Hayles, Alexander Galloway, Kyle Chayka, Kevin Roose, and Lucy Suchman, as well.. show more
Richard Powers, Galatea 2.2; Ted Chiang, Exhalation; Edmond Rostand, Cyrano de Bergerac; course reader with selections from the work of Roland Barthes, Marshall McLuhan, Wendy Chun, N. Katherine Hayles, Alexander Galloway, Kyle Chayka, Kevin Roose, and Lucy Suchman, as well.. show more
Book list:
Richard Powers, Galatea 2.2; Ted Chiang, Exhalation; Edmond Rostand, Cyrano de Bergerac; course reader with selections from the work of Roland Barthes, Marshall McLuhan, Wendy Chun, N. Katherine Hayles, Alexander Galloway, Kyle Chayka, Kevin Roose, and Lucy Suchman, as well as short stories by Kafka, ETA Hoffman, and Stanislaw Lem. show less
Richard Powers, Galatea 2.2; Ted Chiang, Exhalation; Edmond Rostand, Cyrano de Bergerac; course reader with selections from the work of Roland Barthes, Marshall McLuhan, Wendy Chun, N. Katherine Hayles, Alexander Galloway, Kyle Chayka, Kevin Roose, and Lucy Suchman, as well as short stories by Kafka, ETA Hoffman, and Stanislaw Lem. show less
Rules & Requirements
Repeat Rules
Requirements class fulfills
Meets Arts & Literature, L&S Breadth
Reserved Seats
Current Enrollment
No Reserved Seats
Textbooks & Materials
See class syllabus or https://calstudentstore.berkeley.edu/textbooks for the most current information.
Guide to Open, Free, & Affordable Course Materials