Spring 2025
ENGLISH 100 010 - SEM 010
The Seminar on Criticism
Crip Theory and Crip-of-Color Critique, or How to Read for the Body
Ariel Baker-Gibbs
Class #:31363
Units: 4
Instruction Mode:
In-Person Instruction
Offered through
English
Current Enrollment
Total Open Seats:
-1
Enrolled: 19
Waitlisted: 0
Capacity: 18
Waitlist Max: 5
Open Reserved Seats:0
Hours & Workload
3 hours of student-instructor coverage of course materials per week, and 9 hours of outside work hours per week.
Course Catalog Description
This seminar is designed to provide English majors with intensive and closely supervised work in critical reading and writing. Although sections of the course may address any literary question, period, or genre, they all provide an introduction to critical and methodological problems in literary studies.
Class Description
As we seem to have become more collectively tired and less grounded in our bodies, self-care has become an ubiquitous hashtag in the twenty-first century. However, its origin is in Audre Lorde’s Cancer Journals and her essay “A Burst of Light” and comes from a very different radical political tradition than the ones familiar to anyone on the Internet, one that is not metaphorical at all—one that is recognizable as crip. Crip theory itself is the intersection of feminist, queer, and disability theory. In this course we will map out the historical and political discourses around disability particularly as it intersects with race, gender, and sexuality. Beyond the platitudes of “self-care,” we will delve into the realities and representations of intersectional disability, of inhabiting bodies that are measured and evaluated by the state, and of inhabiting bodies that are often only seen as metaphors. We will discuss disability and how its theoretical representations throughout nineteenth, twentieth, and twenty-first century American literature informs how we can read literature today through the work of crip theorists. We will focus on demonstrating ways to read disability in texts and the theory behind the practice.
Class Notes
This class satisfies the Literatures in English Major Requirement
https://english.berkeley.edu/major-requirements
Book List:
Imani Barbarin, various TikToks
Octavia Butler, “The Evening and the Morning and the Night” (1987)
Char.. show more
https://english.berkeley.edu/major-requirements
Book List:
Imani Barbarin, various TikToks
Octavia Butler, “The Evening and the Morning and the Night” (1987)
Char.. show more
This class satisfies the Literatures in English Major Requirement
https://english.berkeley.edu/major-requirements
Book List:
Imani Barbarin, various TikToks
Octavia Butler, “The Evening and the Morning and the Night” (1987)
Charlotte Perkins Gilman, “The Yellow Wallpaper” (1892)
William Faulkner, The Sound and the Fury (1929)
Jim Lebrecht and Nicole Newnham, Crip Camp (2020)
Audre Lorde, The Cancer Journals (1980)
Audre Lorde, “A Burst of Light” (1988)
Carson McCullers, The Heart Is a Lonely Hunter (1940)
Herman Melville, “Bartleby, the Scrivener” (1856)
Mia Mingus, “The Hollow” in Octavia’s Brood (2015)
Ottessa Moshfegh, My Year of Rest and Relaxation (2018)
Flannery O’Connor, “Good Country People” (1955)
Jesmyn Ward, Salvage the Bones (2011)" show less
https://english.berkeley.edu/major-requirements
Book List:
Imani Barbarin, various TikToks
Octavia Butler, “The Evening and the Morning and the Night” (1987)
Charlotte Perkins Gilman, “The Yellow Wallpaper” (1892)
William Faulkner, The Sound and the Fury (1929)
Jim Lebrecht and Nicole Newnham, Crip Camp (2020)
Audre Lorde, The Cancer Journals (1980)
Audre Lorde, “A Burst of Light” (1988)
Carson McCullers, The Heart Is a Lonely Hunter (1940)
Herman Melville, “Bartleby, the Scrivener” (1856)
Mia Mingus, “The Hollow” in Octavia’s Brood (2015)
Ottessa Moshfegh, My Year of Rest and Relaxation (2018)
Flannery O’Connor, “Good Country People” (1955)
Jesmyn Ward, Salvage the Bones (2011)" show less
Rules & Requirements
Repeat Rules
Requirements class fulfills
Meets Arts & Literature, L&S Breadth
Reserved Seats
Reserved Seating For This Term
Textbooks & Materials
See class syllabus or https://calstudentstore.berkeley.edu/textbooks for the most current information.
Guide to Open, Free, & Affordable Course Materials
Associated Sections
None