Spring 2024
LS 25 001 - LEC 001
Thinking Through Art and Design @Berkeley
Beyond the Uncanny Valley: Art, AI, and Robotics
Lisa Wymore, Ken Goldberg
Class #:22487
Units: 3
Instruction Mode:
In-Person Instruction
Offered through
Undergraduate Interdisciplinary Studies
Current Enrollment
Total Open Seats:
2
Enrolled: 98
Waitlisted: 0
Capacity: 100
Waitlist Max: 20
No Reserved Seats
Hours & Workload
3 to 4 hours of instructor presentation of course materials per week, 5 hours of outside work hours per week, and 1 hours of the exchange of opinions or questions on course material per week.
Final Exam
WED, MAY 8TH
07:00 pm - 10:00 pm
Physics Building 1
Other classes by Lisa Wymore
Course Catalog Description
This course introduces students to key vocabularies, forms, and histories from the many arts and design disciplines represented at UC Berkeley. It is conceived each year around a central theme that responds to significant works and events on the campus, providing an introduction to the many art and design resources available to students on campus. Students will compare practices from across the fields of visual art, film, dance, theater, music, architecture, graphic design, new media, and creative writing, and explore how different artists respond formally to the central themes of the course, considering how similar questions and arguments are differently addressed in visual, material, embodied, sonic, spatial, and linguistic forms.
Class Description
This undergraduate letters and sciences course will expose students to ChatGPT, Midjourney, and other forms of Generative AI and contemporary issues at the intersection of AI and Robotics. The class will explore, critique, and use these technologies to express ideas through accessible and approachable assignments that draw upon the fine arts and design including video, dance, painting, sculpture, installation, music, poetry, and fiction, among other formats. A recurring theme of the course will be the Uncanny Valley, which describes how the overly human-like appearance of a robot can evoke a negative human emotional response ranging from discomfort to revulsion. The Uncanny Valley is used by artists, roboticists, scholars, theorists, researchers, and computer animators. The Uncanny Valley has roots in Gothic literature (eg Frankenstein) and archetypal fears of humanoid technology expressed in artforms from Ovid’s Pygmalian to the films: Terminator, Westworld, and Her. Students will learn about recent advances in AI and robotics and enhance their skills in questioning and challenging assumptions about AI: how to think critically about AI and robotics, how to use new resources such as ChatGPT in new ways, how to formulate incisive questions about AI and Robotics, and how to engage with and evaluate artworks and presentations on AI and Robotics. During the week prior to each lecture, students will do independent research and formulate incisive questions. During each lecture, students will attend, take careful notes, and ask questions. Student grades will be based on class participation, weekly homeworks, and a final team presentation.
Rules & Requirements
Repeat Rules
Requirements class fulfills
Meets Arts & Literature, L&S Breadth
Reserved Seats
Current Enrollment
No Reserved Seats
Textbooks & Materials
See class syllabus or https://calstudentstore.berkeley.edu/textbooks for the most current information.
Guide to Open, Free, & Affordable Course Materials