The study of films as categorized either by industry-identified genres (westerns, horror films, musicals, film noir, etc.) or broader interpretive modes (melodrama, realism, fantasy, etc.).

This course explores the US intellectual property regime’s impact on the production, distribution and consumption of media and art. We will consider intellectual property’s seminal role in the formation of emerging media landscapes including cinema, television, social media, and new streaming platforms. We will also develop an understanding of how the structural commitments of the law — copyright, trademark, and patents — contribute to racial hierarchy, economic inequality, and environmental injustice. Topics include intellectual property’s ability to manage Civil Rights discourse on film, television, and the web; examining how copyright has historically deprived Black artists of control over their works; the role of the “author” in the age of artificial intelligence; and the racial disparities of intellectual property on global ecological crises. By the end of the class, students will come away with historical, theoretical, and practical understandings of how media technology changes the law and how the law has subsequently responded to changes in media technology.

Repeat Rules