Research-oriented and designed for upper-division English majors. Intensive examination of critical approaches, literary theory, or a special topic in literary and cultural studies. Topics vary from semester to semester. Students should consult the department's "Announcement of Classes" for offerings well before the beginning of the semester.

“Science Fiction is often described, and even defined, as extrapolative. The science fiction writer is supposed to take a trend or phenomenon of the here-and-now, purify and intensify it for dramatic effect, and extend it into the future. 'If this goes on, this is what will happen.' A prediction is made… The outcomes seem almost inevitably to be cancer. …Strictly extrapolative works of science fiction generally arrive about where the Club of Rome arrives: somewhere between human liberty and the total extinction of terrestrial life.” This course will serve as a deep dive into the fantasy/science fiction work of Berkeley native Ursula LeGuin. As the quote above conveys, LeGuin eschewed her peer's and contemporaries’ extrapolative narratives and technological determinism. Her fantasies and science fiction dwelt on our imaginative capacity to make and undo the world through culture, custom, language, and technology. But foremost in her extensive oeuvre is the social. We will read a wide selection of LeGuin’s novels, short stories, and essays. We will also address LeGuin’s critics and interlocutors in an attempt to trace the long arc of her influence on genre fiction, traditional narrative fiction, and futurist writings.

Book List

Ursula LeGuin The Unreal and the Real: The Selected Short Stories of Ursula LeGuin
Worlds of Exile and Illusion: Three Complete Novels of the Hainish Series in One Volume
The Word for World is Forest
The Left Hand of Darkness
The Dispossessed

Requisites

• English 100 is prerequisite to English 190.

Repeat Rules