Spring 2022
SLAVIC R5B 001 - LEC 001
Reading and Composition
World Cinema from the Soviet Avant-Garde to the End of History
Djordje Popovic, Zachary Britton Hicks
Class #:26079
Units: 4
Instruction Mode:
In-Person Instruction
Offered through
Slavic Languages and Literatures
Current Enrollment
Total Open Seats:
0
Enrolled: 18
Waitlisted: 0
Capacity: 18
Waitlist Max: 3
No Reserved Seats
Hours & Workload
3 hours of instructor presentation of course materials per week, and 9 hours of outside work hours per week.
Other classes by Djordje Popovic
Course Catalog Description
Reading and composition course based on works of Russian and other Slavic writers, either written in English or translated into English. As students develop strategies of writing and interpretation, they will become acquainted with a particular theme in Russian and/or Slavic literatures and their major voices. R5A satisfies the first half of the Reading and Composition requirement, and R5B satisfies the second half.
Class Description
"How does film form respond to, represent, and help construct a political imaginary over the course of its history? When, just after the collapse of the Soviet Union in 1991, Francis Fukuyama triumphantly declared the “end of history” he was attempting to mark a definite historical break, after which ideological and political struggle gives way to the universal triumph of Western liberal capitalism. Taking our contemporary “post-historical” moment as a starting point, this class will chart a course through the history of an artistic medium that for many is explicitly connected with the kind of struggle that notions of the “end of history” assign to a bygone era. Following a more or less chronological historical trajectory, we will move from the revolutionary cinema of the Soviet Avant-Garde, through to mid-century European interventions that build upon Soviet models, and then to anti-colonial and New Left films from around the world, before returning to our contemporary moment. Film as a medium has long been thought to sit at the intersection of theory and practice, and as such we will consider films and filmmakers who intended their cinema to be interventionist in nature—seeking to transform the world, not merely represent or distract from it. In tracking this history, we will look closely at how different films make use of the form/content distinction and consider what aesthetic strategies are at play in each, and how these figure into both reflecting and constructing a of radical political imaginary.
This course will work within this broad problematic, seeking to practice and the develop some of the fundamentals of college-level writing—such as close reading, tracking concepts, and developing arguments. This course fulfils the second half of the UC Reading & Composition requirement; together with our critical inquiry into modes of reading and film viewing, we will practice our writing and research skills. We will devote plenty of time to critical thinking and essay-writing skills, paying particular attention to argumentation, analysis, engaging with sources, and other fundamentals of writing at the college level.
All films and texts will be made available on bCourses or elsewhere online.
Class Notes
This course satisfies the second half or the “B” portion of the Reading and Composition requirement.
Prerequisite: Successful completion of the “A” portion of the Reading & Composition requirement or its equivalent. Students may not enroll in nor attend R1B/R5B courses without completin.. show more
Prerequisite: Successful completion of the “A” portion of the Reading & Composition requirement or its equivalent. Students may not enroll in nor attend R1B/R5B courses without completin.. show more
This course satisfies the second half or the “B” portion of the Reading and Composition requirement.
Prerequisite: Successful completion of the “A” portion of the Reading & Composition requirement or its equivalent. Students may not enroll in nor attend R1B/R5B courses without completing this prerequisite.
Due to the high demand for R&C courses we monitor attendance very carefully. Attendance is mandatory the first two weeks of classes, this includes all enrolled and wait listed students. If you do not attend all classes the first two weeks you may be dropped. If you are attempting to add into this class during weeks 1 and 2 and did not attend the first day, you will be expected to attend all class meetings thereafter and, if space permits, you may be enrolled from the wait list. show less
Prerequisite: Successful completion of the “A” portion of the Reading & Composition requirement or its equivalent. Students may not enroll in nor attend R1B/R5B courses without completing this prerequisite.
Due to the high demand for R&C courses we monitor attendance very carefully. Attendance is mandatory the first two weeks of classes, this includes all enrolled and wait listed students. If you do not attend all classes the first two weeks you may be dropped. If you are attempting to add into this class during weeks 1 and 2 and did not attend the first day, you will be expected to attend all class meetings thereafter and, if space permits, you may be enrolled from the wait list. show less
Rules & Requirements
Requisites
- Previously passed an R_A course with a letter grade of C- or better. Previously passed an articulated R_A course with a letter grade of C- or better. Score a 4 on the Advanced Placement Exam in English Literature. Score a 4 or 5 on the Advanced Placement Exam in English Language and Composition. Score of 5, 6, or 7 on the International Baccalaureate Higher Level Examination in English.
Repeat Rules
Course is not repeatable for credit.
Requirements class fulfills
Second half of the Reading and Composition Requirement
Reserved Seats
Current Enrollment
No Reserved Seats
Textbooks & Materials
See class syllabus or https://calstudentstore.berkeley.edu/textbooks for the most current information.
Guide to Open, Free, & Affordable Course Materials
Associated Sections
None