2022 Fall FILM R1A 001 LEC 001

2022 Fall

FILM R1A 001 - LEC 001

The Craft of Writing - Film Focus

Gooey, Liquid, Incomputable: Writing About New Media Art and Material Histories of Tech

Lou Silhol Macher

Aug 24, 2022 - Dec 09, 2022
Tu, Th
09:30 am - 10:59 am
Class #:21376
Units: 4

Instruction Mode: In-Person Instruction

Offered through Film and Media

Current Enrollment

Total Open Seats: 2
Enrolled: 15
Waitlisted: 0
Capacity: 17
Waitlist Max: 3
No Reserved Seats

Hours & Workload

3 hours of instructional experiences requiring special laboratory equipment and facilities per week, 3 hours of instructor presentation of course materials per week, and 7 hours of outside work hours per week.

Other classes by Lou Silhol Macher

Course Catalog Description

Rhetorical approach to reading and writing argumentative discourse with a film focus. Close reading of selected texts; written themes developed from class discussion and analysis of rhetorical strategies. Satisfies the first half of the Reading and Composition requirement.

Class Description

We all use so-called “new media” in our everyday lives: from computer software to AI-powered apps, these platforms and technologies are the result of the digital turn. New media are difficult to define however, perhaps primarily because something only remains “new” for so long. Mostly, new media are often characterized by their supposed immateriality: software and algorithms seem to work behind or underneath the hardware, so much so that we forget that they too have a materiality, and a history. For instance, the clouds on which we upload our files have in fact very little in common with the ether if we consider the immense energy expenses required by the very concrete buildings storing and cooling the machines that make the clouds all but virtual. The marketing algorithms that analyze user reactions on social media in the form of emojis, likes, or simple text have a history that predates what we call “new media,” one rooted in the racial history of the US and the use of sentiment analysis in Japanese internment camps during World War II. These issues are brought into tension by new media artists such as Hito Steyerl (Liquidity Inc., 2014), American Artist (Black Gooey Universe, 2018), and Elisa Giardina Papa (Cleaning Emotional Data, 2020) whose works give shape to this apparent “immateriality,” and make these longer, invisible histories visible. How do we, as viewers of the art, write about these visual artworks and articulate for ourselves and others the theoretical points they make? How can we learn to read images, videos, and art installations to continue the conversation on paper, on our screens, in our writing? We will investigate these questions and more as we put your writing at the center of this class.

Rules & Requirements

Requisites

  • Satisfaction of the Entry Level Writing Requirement

Repeat Rules

Course is not repeatable for credit.

Requirements class fulfills

First half of the Reading and Composition Requirement

Reserved Seats

Current Enrollment

No Reserved Seats

Textbooks & Materials

See class syllabus or https://calstudentstore.berkeley.edu/textbooks for the most current information.

Textbook Lookup

Guide to Open, Free, & Affordable Course Materials

eTextbooks

Associated Sections