2021 Fall
SCANDIN 250 001 - SEM 001
Seminar in Scandinavian Literature
The Cultural Worker
Linda Haverty Rugg
Class #:32831
Units: 4
Instruction Mode:
In-Person Instruction
Offered through
Scandinavian
Current Enrollment
Total Open Seats:
11
Enrolled: 4
Waitlisted: 0
Capacity: 15
Waitlist Max: 3
No Reserved Seats
Hours & Workload
3 hours of student-instructor coverage of course materials per week, and 9 hours of outside work hours per week.
Other classes by Linda Haverty Rugg
Course Catalog Description
Investigation of selected authors, topics, or problems. Variable subject matter; see departmental announcement for description.
Class Description
Traditionally the department might have offered a course on “The Artist of the North,” focusing on the (often aberrant) psychology, cultural standing, or near-divine giftedness of the bard, writer or painter within his (usually his) cultural milieu. This seminar aims to shift focus in order to examine the concept of “cultural worker” as it evolved in the Scandinavian welfare states, considering works of literature, theater, films, journalism, and other cultural artefacts in light of their meta-representations of cultural workers and their work. In addition to reading about the theory and history of cultural work and studying representations of cultural work(ers), we will hear from people who perform cultural work in Scandinavia today, many of whom have direct connection to our department. At the same time, we will perform our own meta-work of thinking about how doctoral candidates in a department like ours can and have become cultural workers of various kinds: professors, yes. But also editors, translators, consultants on game design and films, grant-writers, administrators of universities, foundations and museums, and more. We will hear from some cultural workers in America as well. Through our study of the history and theory of cultural work and how it is represented and discussed, we can gain an understanding of how such work is valued and experienced in Scandinavia and North America. Students can consider how they might like to employ what they learn in the Scandinavian graduate program at UC Berkeley in the world of cultural work either here in North America or in Scandinavia. More ambitiously, how might we transform cultural work and its representation in our culture?
Martin Schultz, Curator of North and Central American Collections at the National Museum of World Cultures in Stockholm, Sweden
Kristin Ørjasæter, Director of the Norsk barnebokinstitutt, editor of children’s literature
Valdimar Hafstein, professor, former Chair of Iceland’s Commission for UNESCO, journal editor
Elle-Kari Höjeberg, Program Manager for Sweden’s Radio Program 2 (retired)
Magnus Florin, dramaturg, Sweden’s Royal Dramatic Theater, opera librettist, author, former director of the Swedish Radio Theater
Magnus Bremmer, director of podcast Bildningspodden
Sjón, author and cultural worker, Iceland
Anna Hellgren, cultural editor Expressen
Signe Westin, Kulturrådet
Head of the Bergman Foundation, Jan Holmberg
Mara Lee, författare
Peter Englund, historiker
Henning Wærp, academic and fictional author
Shelley Wright, translator
Gita Pasternak, Gyldendals forlag
Rules & Requirements
Repeat Rules
Reserved Seats
Current Enrollment
No Reserved Seats
Textbooks & Materials
See class syllabus or https://calstudentstore.berkeley.edu/textbooks for the most current information.
Guide to Open, Free, & Affordable Course Materials
Associated Sections
None