2021 Fall ENGLISH 203 001 LEC 001

2021 Fall

ENGLISH 203 001 - LEC 001

Graduate Readings

Shakespeare and the Law of Genre

Oliver Maxwell Arnold

Aug 25, 2021 - Dec 10, 2021
We
12:00 pm - 02:59 pm
Class #:21490
Units: 4

Instruction Mode: In-Person Instruction

Offered through English

Current Enrollment

Total Open Seats: 1
Enrolled: 14
Waitlisted: 0
Capacity: 15
Waitlist Max: 10
Open Reserved Seats:
5 reserved for English Graduate Students

Hours & Workload

9 hours of outside work hours per week, and 3 hours of instructor presentation of course materials per week.

Other classes by Oliver Maxwell Arnold

Course Catalog Description

Graduate lecture courses surveying broad areas and periods of literary history, and directing students in wide reading. Offerings vary from semester to semester. Students should consult the department's "Announcement of Classes" for offerings well before the beginning of the semester.

Class Description

As we read five comedies, five tragedies, and The Tempest, we will consider Shakespeare’s serial offenses against the rules of art—in particular, his radical upending of conventional generic decorum—in relation to both the regime of genre (Aristotle, Horace, Sidney) and the critique of genre (Derrida, Jameson, Lacoue-Labarthe and Nancy, Berlant). We will think about particulars—for example, why does Shakespeare include sovereigns in his comedies?–and ask whether Shakespeare's particular departures from traditions and rules pressure the category of genre itself. We will not obsess about genre. We will also give sustained attention to Shakespeare's representation of animals, indistinction, conversion, citizenship, compassion, artificial persons, poverty, the Roman Republic, false consciousness, and freedom and unfreedom; and I expect that other participants will bring many other interests and concerns to the table. Secondary readings will include a healthy dose of writings about genre, but we will also take advantage of Shakespeare's unique importance to the evolution of literary criticism and to the philosophy of art. If Shakespeare studies have in recent decades been most closely associated with the new historicism, the plays and sonnets have been a touchstone for almost every kind of literary criticism (Marxist, psychoanalytic, deconstructionist, postcolonial, feminist, and on and on). We will read The Comedy of Errors, A Midsummer Night’s Dream, The Merchant of Venice, Measure for Measure, All’s Well That Ends Well (the nastiest play in the canon!); Julius Caesar, Hamlet, King Lear, Antony and Cleopatra, Coriolanus; and The Tempest. I will order the Norton Shakespeare, but any good complete Shakespeare or good individual editions of the plays will serve you well.

Rules & Requirements

Repeat Rules

Reserved Seats

Current Enrollment

Open Reserved Seats:
5 reserved for English Graduate Students

Textbooks & Materials

See class syllabus or https://calstudentstore.berkeley.edu/textbooks for the most current information.

Textbook Lookup

Guide to Open, Free, & Affordable Course Materials

eTextbooks

Associated Sections

None