2020 Fall ENGLISH R1B 011 LEC 011

2020 Fall

ENGLISH R1B 011 - LEC 011

Reading and Composition

Jewish and Black-ish: Race Relations in American Literature

Alexander Ullman

Aug 26, 2020 - Dec 11, 2020
Mo, We, Fr
01:00 pm - 01:59 pm
Internet/Online
Class #:24194
Units: 4

Instruction Mode: Remote Instruction

Offered through English(link is external)

Current Enrollment

Total Open Seats: 0
Enrolled:
Waitlisted:
Capacity:
Waitlist Max:
No Reserved Seats

Hours & Workload

9 hours of outside work hours per week, and 3 hours of instructor presentation of course materials per week.

Course Catalog Description

Training in writing expository prose. Further instruction in expository writing in conjunction with reading literature. Satisfies the second half of the Reading and Composition requirement.

Class Description

Judaism may be the only religion that takes an “-ish” in its adjectival form, but it’s certainly not the only identity in American culture to consider its partiality through language. As the 2014 sit-com “Black-ish” showed through its very title, African diasporic identity is fraught in the contemporary cultural imagination. But how does “Jew-ish-ness” differ from “Black-ish-ness”? Certainly all “ishs” aren’t the same. We will engage with texts and films from across the twentieth century and into the twenty-first, from The Jazz Singer to “Black-ish,” to ask how literature and cultural production reflect but also complicate narratives of affiliation between Blacks and Jews. How are Jewish and Black relations depicted? How is historical trauma, specifically the Holocaust and the African slave trade, made sense of in artistic representation? What happens to Jewish and Black relations as identities become more mixed, more “-ish”? And how do the relations between these two identities speak to other notions of race relations in US culture and abroad? The goal of this course will be for students to have a deeper understanding of the historical relationship between these two identity groups and that relationship's importance to narratives about American identity at large. Students will demonstrate their understanding of this relationship's past, present, and future by writing and engaging with discussion posts on bCourses, taking weekly in-class reading quizzes, and drafting two research papers. Texts: Bernard Malamud, The Tenants (1971); Fran Ross, Oreo (1974); Anna Deavere Smith, Fires in the Mirror (1992); Philip Roth, The Human Stain (2000); Kiese Laymon, Long Division (2013) See also https://english.berkeley.edu/courses/6441

Rules & Requirements

Requisites

  • Previously passed an R_A course with a letter grade of C- or better. Previously passed an articulated R_A course with a letter grade of C- or better. Score a 4 on the Advanced Placement Exam in English Literature and Composition. Score a 4 or 5 on the Advanced Placement Exam in English Language and Composition. Score of 5, 6, or 7 on the International Baccalaureate Higher Level Examination in English.

Repeat Rules

Course is not repeatable for credit.

Requirements class fulfills

Second half of the Reading and Composition Requirement

Reserved Seats

Current Enrollment

No Reserved Seats

Textbooks & Materials

See class syllabus or https://calstudentstore.berkeley.edu/textbooks for the most current information.

Textbook Lookup(link is external)

Guide to Open, Free, & Affordable Course Materials

eTextbooks(link is external)

Associated Sections

None